This book focuses on the cultural, political and religious representations of
the Orient in Western Music. Dr Nasser Al-Taee traces several threads in a vast
repertoire of musical representations, focusing primarily on the images of
violence and sensuality. Al-Taee argues that these prevailing traits are not
only the residual manifestation of the Ottoman threat to Western Europe, but
also the continuation of a long and complex history of fear and fascination
towards the Orient and its Islamic religion. In addition to analyses of musical
works, Al-Taee draws on travel accounts, paintings, biographies and political
events to engage with important issues such as gender, race and religious
differences that