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Product Specifications
Book Summary
After the closing of his first art gallery in 1917, photographer Alfred
Stieglitz reemerged in the New York art world in the 1920s. He achieved his
comeback in large part through the innovative means he used to promote himself
and the artists of his inner circle. Stieglitz and a number of well-established
critics drew on period conceptions of sexuality, gender, and cultural identity
to characterize the artists he championed as the fulfillment of a shared vision
of a vital, nonrepressed American art.In Painting Gender, Constructing Theory,
Marcia Brennan examines how Stieglitz and the critics drew on
early-twentieth-century discourses on sex and the psyche, particularly the
theories of Sigmund
ISBN-13
9780262523363
Language
English
Binding
Paper Back
Publisher
The MIT Press
Publishing Date
2002-08-23
Total Pages
390
Painting Gender, Constructing Theory: The Alfred Stieglitz Circle And American Formalist Aesthetics
After the closing of his first art gallery in 1917, photographer Alfred
Stieglitz reemerged in the New York art world in the 1920s. He achieved his
comeback in large part through the innovative means he used to promote himself
and the artists of his inner circle. Stieglitz and a number of well-established
critics drew on period conceptions of sexuality, gender, and cultural identity
to characterize the artists he championed as the fulfillment of a shared vision
of a vital, nonrepressed American art.In Painting Gender, Constructing Theory,
Marcia Brennan examines how Stieglitz and the critics drew on
early-twentieth-century discourses on sex and the psyche, particularly the
theories of Sigmund