This work draws attention to fourteen Pahari Masters, whose work spans a period
of three hundred years. The paintings come from as many as twenty different
museumes and private collections, the effort being to select such works as
illumine each masters range as also the processes of thought from which this art
is likely to have sprung. Carefully, the essay on each master presents the
evidence available on him, the known extent of his work, and an analysis of his
style