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Book Summary
Dhrupad is one of the earliest and most dominant streams that has contributed to
Hindustani classical music. According to Faiyazuddin Dagar (1934-1989), " In the
two parts of the dhrupad, the alap the improvised section of a raga, forming a
prologue to the formal expression is sung in free rhythm over drone, and the
pada word or phrase that signifies the concept of a raga is more a rhythmic poem
accompanied by drumming over the two-headed pakhawaj the standard percussion
instrument used in dhrupad . It is a devotional and spiritual type of music-and
though the basic style has not changed right from the earlier times
Dhrupad is one of the earliest and most dominant streams that has contributed to
Hindustani classical music. According to Faiyazuddin Dagar (1934-1989), " In the
two parts of the dhrupad, the alap the improvised section of a raga, forming a
prologue to the formal expression is sung in free rhythm over drone, and the
pada word or phrase that signifies the concept of a raga is more a rhythmic poem
accompanied by drumming over the two-headed pakhawaj the standard percussion
instrument used in dhrupad . It is a devotional and spiritual type of music-and
though the basic style has not changed right from the earlier times